“Through enfilade” and “Quasi toccata” (2012)

“Through enfilade” and “Quasi toccata” (2012) cultivate the same structural principle and expose chains of microevents. In the first piece they are organized in a three-phase form which refers to the architectural principle of enfilade arrangement of three rooms. In “Quasi toccata” the material unfolds against the ultra fast pulsation creating a special type of a rhythmic pedal.